bach coffee cantata wikipedia

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Name of the composition: if the composition is known by a German, extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision, extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them Glückwunschkantaten (congratulatory cantatas) and Huldigungskantaten (homage cantatas). Another cantata in which Bach used that term is Ich bin vergnügt mit meinem Glücke, BWV 84. Harnoncourt conducted the Wiener Sängerknaben or the Tölzer Knabenchor and the Concentus Musicus Wien. [citation needed]. The choir was the Thomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. Nonetheless Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. They were also meant to be performed during church services. Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. Bach's … Erschallet, Trompeten! In Nun komm, der Heiden Heiland, BWV 61, for the first Sunday in Advent, the beginning of a new liturgical year, he rendered the opening chorus as a French overture. The Sundays after Trinity are numbered using roman numerals (for example "Trinity II" for the second Sunday after Trinity). Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. Model: "Coffee" Cantata by J. S. Bach The "Sanka" Cantata was the first P. D. Q. Bach piece that Peter Schickele "discovered," in 1954. In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata. [1] Works from three annual cycles of cantatas for the liturgical calendar have survived. BWV 215: Preise dein Glücke, gesegnetes Sachsen; BWV 216: Vergnügte Pleissenstadt Distinct from the cantatas, a narrator, the Evangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. There is debate whether Bach performed Wer mich liebet, der wird mein Wort halten, BWV 59, there a week before he began his cantorate. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. Keyboard instruments are only listed for specific solo parts, not as part of the continuo group. Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. Bach titled them for example Concerto in Dialogo, concerto in dialogue. A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available. The scoring is provided, grouped by singers and groups of instruments. A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. THE COFFEE CANTATA JOHANN SEBASTIAN BACH English Versiion by Donald Pippin The clash between parental authority and youthful defiance has come to be known as the generation gap -- not an entirely new phenomenon. J. C. J. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? [11] Cantatas for some occasions are not extant. Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande and the soloists forming the choir. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn. There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as the Picander cycle, may have existed.[11][29][30]. as opera. In an early cantata, Erschallet, ihr Lieder, erklinget, ihr Saiten! At Coffee Cantata, freshness is key. The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas: Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle. 11, Willkommen! 12 volumes. Only one of the cantatas, Gott ist mein König, BWV 71, had been published during Bach's lifetime. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dir, BWV 29. Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works of Bach in 10 years starting in 1994, including the cantatas. S. バッハの世俗カンタータ。 1732年から1734年にかけて作曲されたカンタータであり、小喜歌劇である。. [33] In 1931 a recording was made of a performance of Christ lag in Todes Banden, in Barcelona. / 2. Bach moved to Mühlhausen in 1707 when he was 22 to take up an appointment as the organist of St. Blasius church (Divi Blasii). Although the German term Bachkantate (Bach cantata) became very familiar, Bach himself rarely used the title Cantata in his manuscripts. Jean-Sebastien Bach (1685-1750) "Coffee Cantata" BWV 211 (extrait) - Ei! Bach's four short masses are parodies of cantata movements; he used several movements of Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. Bach. [7][8], Even after he moved to Leipzig he retained his title of Fürstlich Köthenischer Kapellmeister (that is director of music to the court at Köthen). Advent bis zum Trinitatisfest, Kassel/Stuttgart 2007. Some cantatas are composed for a solo singer (Solokantate), as Jauchzet Gott in allen Landen, BWV 51, for soprano, sometimes concluded by a chorale, as in Ich will den Kreuzstab gerne tragen, BWV 56, for bass. As a satire on the whole affair, Bach wrote the "Coffee Cantata," a humorous one act operetta about a stern father's attempt to check his daughter's indulgence in the much loved Saxon habit of coffee drinking. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantatas composed for occasions of the liturgical year, Learn how and when to remove this template message, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Church cantata (Bach) § History and context, Was mir behagt, ist nur die muntre Jagd, BWV 208, Lobet den Herrn, alle seine Heerscharen, BWV Anh. / 4. In movements with winds, a bassoon usually joins the continuo group. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. BWV 214, Preise dein Glücke, gesegnetes Sachsen, BWV 215, Siehe, es hat überwunden der Löwe, BWV 219, Wer sucht die Pracht, wer wünscht den Glanz, BWV 221, Reißt euch los, bedrängte Sinnen, BWV 224, Klagt, Kinder, klagt es aller Welt, BWV 244a, Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, Alles mit Gott und nichts ohn' ihn, BWV 1127, Dich loben die lieblichen Strahlen der Sonne, Es lebe der König, der Vater im Lande, BWV Anh. He composed it probably between 1732 and 1735. Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." 6–7), chorale setting "Barmherzger Vater, höchster Gott" (s. 9), chorale setting "Ich hab in Gottes Herz und Sinn", chorale setting "Der Herr ist mein getreuer Hirt" (s. 1), chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Jesu, der du meine Seele" (s. 11), chorale setting "Gott Vater, sende deinen Geist" (s. 10), satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Wir Christenleut" (s. 5), chorale setting "Der Herr ist mein getreuer Hirt" (s. 5), chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8), chorale setting "Ach, lieben Christen, seid getrost" (s. 6), chorale setting "Mache dich, mein Geist, bereit" (s. 10), chorale setting "Straf mich nicht in deinem Zorn", chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 6–7), chorale setting "Jesu, deine tiefen Wunden", chorale setting "Wach auf, mein Herz, und singe" (ss. Tromboni / e / Continuo. A solo movement begins Gott, man lobet dich in der Stille, BWV 120, because its first words speak of silence. / Viola. Bach's Chorale cantatas are based exclusively on one chorale, for example the early Christ lag in Todes Banden, BWV 4, and most cantatas of his second annual cycle in Leipzig. For example, he titled the parts of Aus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. Bach's almost 200 extant cantatas are among his important vocal compositions. The specific character of a cantata or a single movement is rather defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as Erfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a. Order coffee online and get craft roasted coffee beans delivered from our roastery to your doorstep. Bach Coffee Cantata BWV 211, Emma Kirkby - soprano, David Thomas - bass, Rogers Covey-Crump - tenor. For example, a bassoon is typically playing when other wind instruments are called for, an organ may be played in church, a harpsichord will be used in secular surroundings. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. 16–18), chorale setting "Jesu, meiner Seelen Wonne" (s. 2), chorale setting "Werde munter, mein Gemüte", chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6), chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1), chorale setting "Christ lag in Todes Banden" (s. 5), chorale setting "Jesu Leiden, Pein und Tod" (s. 33), chorale setting "Herzlich tut mich verlangen" (s. 4), chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1), chorale setting "Nun bitten wir den Heiligen Geist" (s. 3), chorale setting "Jesu, nun sei gepreiset" (s. 2), (SATB) 3Tr Tmp (Fl? The List of Bach cantatas is organized by BWV number but sortable by other criteria. cantata for soprano, violin/flute, and continuo : Le Caffé is taken from the third volume of cantatas, whose texts are by Louis Fuzelier, a writer who became famous as the author of many works for the theatre. 10–11), chorale setting "In allen meinen Taten" (s. 9), chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3), chorale setting "Helft mir Gotts Güte preisen" (s. 6), chorale setting "Nun lob, mein Seel, den Herren" (s. 3), chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ", chorale setting "Freu dich sehr, o meine Seele" (s. 9), chorale setting "Weg, mein Herz, mit den Gedanken", chorale setting "O Ewigkeit, du Donnerwort" (ss. His Easter cantata Ein Herz, das seinen Jesum lebend weiß, BWV 134, is a parody of six of eight movements of the cantata for New Year's Day, Die Zeit, die Tag und Jahre macht, BWV 134a. Voc. Bach did not follow any strict scheme but composed as he wanted to express the words. Walter F. Bischof: The Bach Cantatas, University of Alberta, Z. Philip Ambrose: Texts of the Complete Vocal Works with English Translation and Commentary, University of Vermont, This page was last edited on 18 December 2020, at 19:11. He probably composed his last cantata in 1745. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. Other cantatas are assumed to date from this period: Bach worked in Weimar from 1708. Source for information on Coffee Cantata: The Concise Oxford Dictionary of Music dictionary. He continued to compose for the court until Leopold's funeral in 1729. It is refreshing to hear … BWV 172, Bach marked a repeat of the opening chorus after the chorale. "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B. The basso continuo consists of a group of players, depending upon the scoring of the cantata and the performance location. 1725: BWV 249, early version (later versions known as the, Chapters of the main catalogue indicated by Arabic numerals (1-13), Anh. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison. These instrumental parts are frequently set in virtuoso repetitive patterns called figuration. The abbreviations of performers are given for solo singers, choir (typically SATB), brass instruments (plus timpani), woodwinds, strings, keyboard and basso continuo. Although known mostly for his liturgical music, his Coffee Cantata (AKA Schweigt stille, plaudert nicht, BWV 211) is a rare example of a secular work by the composer. 18世紀当時、本作の初演地のライプツィヒではコーヒー依存症が喫緊の社会問題 … There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantata Schwingt freudig euch empor, BWV 36.1, believed to be have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.[9]. If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. Media in category "BWV 211 – Coffee Cantata" The following 3 files are in this category, out of 3 total. The final chorale is typically a homophonic setting of a traditional melody. However, the spurious cantatas retain their BWV numbers. This page was last edited on 3 January 2021, at 07:50. During this time, he wrote a mini comic opera or dramma per musica called Schweigt stille, plaudert nicht (Be still, stop … Titles of the cantatas. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. The list includes both extant cantatas and, as far as known, lost cantatas. In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba and violone. The cantatas 54 and 199 were performed within the cycle but possibly composed earlier. Academic functions took place at the Universitätskirche St. Pauli. Lib., by Picander, refers to the growing fondness for coffee at the time it was comp. [38] Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States. 163–224, Numerical and alphabetical lists of cantatas by J. S. Bach (1685-1750) and various related works, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_Bach_cantatas&oldid=998000679, Lists of compositions by Johann Sebastian Bach, Short description is different from Wikidata, Wikipedia articles needing clarification from August 2016, Creative Commons Attribution-ShareAlike License. The title plays off J. S. Bach's "Coffee" Cantata. Schweigt stille, plaudert nicht (BWV 211) je světská kantáta Johanna Sebastiana Bacha, známá také jako Kantáta o kávě nebo Kávová kantáta.Žánrově se blíží komické opeře a někdy bývá uváděna scénicky. Most of the solo movements are based on poetry of contemporary writers, such as court poet Salomon Franck in Weimar or Georg Christian Lehms or Picander in Leipzig, with whom Bach collaborated. The six parts of the Christmas Oratorio were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale. "Singing The Word: The Cantatas of J S Bach". Breaking news: Johann Sebastian Bach, one of the greatest composers of all time, wrote an opera about coffee.Nearly 300 years ago. Bach. Hymns were mostly set to their Lutheran chorale tune. [6] His goal was to compose a complete set of cantatas for the liturgical year within four years. : S.D.G. Tarnhelm Ed. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. In 1929 the Swedish bishop Nathan Söderblom, a recipient of the Nobel Peace Prize, called Bach's cantatas the Fifth Gospel.[40][41]. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipzig, a position which he took up in 1723. He composed it probably between 1732 and 1735. Bach often wrote a title page for the autograph score and copies of the original parts. [example needed]. [36] Not only a single movement but a complete cantata was reworked from the Shepherd cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, to become the Easter Oratorio. So much so that he wrote a composition about the beverage. Die Erde jubilieret, BWV 31, O ewiges Feuer, o Ursprung der Liebe, BWV 34, O ewiges Feuer, o Ursprung der Liebe, BWV 34a, Darzu ist erschienen der Sohn Gottes, BWV 40, Am Abend aber desselbigen Sabbats, BWV 42, Es ist dir gesagt, Mensch, was gut ist, BWV 45, Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46, Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47, Ich elender Mensch, wer wird mich erlösen, BWV 48, Ich armer Mensch, ich Sündenknecht, BWV 55, Ich will den Kreuzstab gerne tragen, BWV 56, Wer mich liebet, der wird mein Wort halten, BWV 59, Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Herr, wie du willt, so schicks mit mir, BWV 73, Wer mich liebet, der wird mein Wort halten, BWV 74, Die Himmel erzählen die Ehre Gottes, BWV 76, Du sollt Gott, deinen Herren, lieben, BWV 77, Gott der Herr ist Sonn und Schild, BWV 79, Jesus schläft, was soll ich hoffen? By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. 4, 9), chorale setting "Sei Lob und Ehr dem höchsten Gut", chorale setting "Christum wir sollen loben schon" (s. 8), chorale setting "Das neugeborne Kindelein" (s. 5), chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6), chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8), chorale setting "Gelobet sei der Herr, mein Gott" (s. 5), chorale setting "O Gott, du frommer Gott", chorale setting "Herr Gott, dich loben alle wir" (s. 11), chorale setting "Ich freue mich in dir" (s. 4), chorale setting "Wo soll ich fliehen hin" (s. 9), chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen", chorale setting "Wachet auf, ruft uns die Stimme" (s. 3), chorale setting "Was Gott tut, das ist wohlgetan" (s. 1), chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1), chorale setting "Erschienen ist der herrlich Tag" (s. 14), chorale setting "Erschienen ist der herrlich Tag", chorale setting "Wo soll ich fliehen hin", Cantata opening: "Concerto" (incomplete; abandoned alternative start of, chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8), chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1), chorale setting "Befiehl du deine Wege" (s. 5), chorale setting "Herzlich tut mich verlangen", chorale setting "Ach Gott, wie manches Herzeleid" (ss. Most arias follow the form of a da capo aria, repeating the first part after a middle section. sections indicated by Roman numerals (I–III), "after" – indicating a model for the composition, "by" – indicating the composer of the composition (if different from Johann Sebastian Bach), "in" – indicating the oldest known source for the composition, "see" – composition renumbered in a later edition of the BWV. Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. Within the Lutheran liturgy, certain readings from the Bible were prescribed for every event during the church year; specifically, it was expected that an Epistel from an Epistle and Evangelium from a Gospel would be read. Trinitatis-Sonntages, Kassel/Stuttgart 2004. [3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). Vol. Erschallet, Trompeten! Bach's earliest cantatas are church cantatas, although his early Wedding Quodlibet … One of the more unique works that Bach composed at this time was the secular cantata Schweigt stille, plaudert nicht (literally “be still, stop chattering”), better known as the Coffee Cantata (BWV 211). This 20-year collaboration used historical instruments, with boys' choirs and boy soloists for most soprano and a few alto parts. 1–2), chorale setting "In allen meinen Taten" (s. 7), chorale setting "O Gott, du frommer Gott" (s. 7), chorale setting "O großer Gott von Macht" (s. 9), chorale setting "Warum betrübst du dich, mein Herz" (s. 11), chorale setting "Ach Gott und Herr" (s. 4), chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12), chorale setting "Herr Jesu Christ, du höchstes Gut", chorale setting "Werde munter, mein Gemüte" (s. 6), chorale setting "Du, o schönes Weltgebäude" (s. 6), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6), chorale setting "Es ist genug, so nimm" (s. 5), chorale setting "Gelobet seist du, Jesu Christ" (s. 7), chorale setting "Was frag ich nach der Welt" (s. 1), chorale setting "Jesu, meine Freude" (s. 5), chorale setting "Ein Kind geboren zu Bethlehem" (s. 4), chorale setting "Puer natus in Bethlehem", chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10), chorale setting "Was mein Gott will, das gscheh allzeit", chorale setting "Alleluja", s. 3 from "Christ ist erstanden", chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1), chorale setting "Es woll uns Gott genädig sein" (s. 3), satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6), chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5), satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org, chorale setting "Von Gott will ich nicht lassen" (s. 9), chorale setting "Gott Vater, sende deinen Geist" (s. 2), chorale setting "Kommt her zu mir, spricht Gottes Sohn". Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. / â / 4. Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6. Although the German term Bachkantate (Bach cantata) became very … While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s when Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as in Gottes Zeit ist die allerbeste Zeit, BWV 106. The orchestra that Bach used is based on string instruments (violin, viola) and basso continuo, typically played by cello, double bass (an octave lower) and organ. This work shares with J S Bach's "Coffee cantata" the distinction of being the only such works on the comtemporary craze for coffee. Meineke).[37]. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. The Coffee Cantata Though he was more famous for writing sacred pieces, the occasional secular gem showed Bach to be a humorous and inventive chap. On high feast days, the same cantata was performed in the morning in one of these churches, in a vespers service in the other. Geoffrey Turner. Although classified as a cantata, it is essentially a miniature comic opera. The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated. Nickname for humorous cantata by Bach (BWV211, 1732) sometimes perf. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150. Described as a mini comic opera, 'Schweigt stille, plaudert nicht' ('Be still, stop chattering') it concerns the characters' addiction to coffee and was most likely first performed in a Leipzig coffee house. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. History. The Academy of Ancient Music, Christopher Hogwood. Few people have been better positioned to observe it than J. S. Bach, some three hundred years ago. おしゃべりはやめて、お静かに(独:Schweigt stille, plaudert nicht、別名:コーヒー・カンタータ、BWV 211)は、J. Six movements of his congratulatory cantata Durchlauchtster Leopold, BWV 173a, form the cantata for Pentecost Monday of 1724, Erhöhtes Fleisch und Blut, BWV 173, while a seventh movement was made part of the cantata for Pentecost Tuesday of 1725, Er rufet seinen Schafen mit Namen, BWV 175. In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani. The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). These cantatas were performed even after his death, according to Christoph Wolff probably because the well-known hymns were appealing to the audience.[10]. The cantatas are also regularly performed on Sundays at Holy Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. Fresh Coffee Delivered. When the date is followed by an abbreviation in brackets (e.g. When he compiled his Mass in B minor, he again used many cantata movements, such as a part of Weinen, Klagen, Sorgen, Zagen, BWV 12, for the Crucifixus of the Credo. It did not take long, however, for coffee to become the fashionable drink in European cities, and by the time Bach wrote the Coffee Cantata (around 1732-1735), coffee houses were commonplace. Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. Coffee Cantata (Kaffeecantate). The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60. the Coffee Cantata (Schweigt stille, plaudert nicht), and instrumental works. Colouring shows which cantatas are not extant church cantatas and which works were not even composed by Bach, but attributed to him in the past. A typical Bach cantata of his first year in Leipzig follows the scheme: The opening chorus (Eingangschor) is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.[4]. Ihr herrschenden Götter der Erden, Meine Seel erhebt den Herren, BWV Anh. / di / Signore / J.S.Bach". The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. [31], After Bach's death the cantatas fell into obscurity even more than his oratorios. Bach. The Japanese yearn for hope", International Music Score Library Project, Texts of the Complete Vocal Works with English Translation and Commentary, http://www.bach-cantatas.com/Books/S0102.htm, Johann Sebastian Bach – A Listener's Guide to the Cantatas, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=Bach_cantata&oldid=995014972, Articles with International Music Score Library Project links, Articles with unsourced statements from December 2019, Articles needing additional references from August 2020, All articles needing additional references, Articles containing Italian-language text, Wikipedia articles with style issues from August 2020, Articles with multiple maintenance issues, Articles needing examples from September 2019, Creative Commons Attribution-ShareAlike License, Section in which the composition appears in BWV. In Barcelona, “ Zimmerman ’ s coffee house in Leipzig Bach was responsible is typically a homophonic of. 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